에프홀에서 위탁 판매 중인 바이올린입니다. 에프홀에 방문하셔서 시연 및 구매 가능합니다.

1. 품명: 바이올린(4/4)

2. 제작자: Cesare Candi (세자르 깐디)

3. 제작국: 이태리(Genova)

4. 제작년도: 1927년

5. 라벨: N.184
            Cesare Candi
            Fece in Genova l'anno 1927

6. 판매 가격: 전화문의 (070-7774-9354), 카톡 ID(fhole) 국제 시세 및 환율 변동에 의해 고정 가격의 명시가 어렵습니다.

9. 설명: 케이스 포함입니다. Eric Blot의 서티(2007년 발행), Alberto Giordano의 서티(2007년 발행)가 있습니다.

            상아로 데코가 된 팩 또한 제작가가 직접 만든 것입니다.

8. 상태: 필요한 수리나 수리 흔적 없습니다.

10. 사이즈: Body length(355mm), Upper bout(168mm), C bout(112mm), Lower bout(208mm), Rib(30 ~ 31mm)

아래 링크를 클릭하시면 더 큰 이미지(1500 pixel)를 보실 수 있습니다.
(자동 사이즈 조절로 되어 있다면 마우스를 이미지위에 올린 후 클릭 혹은 하단의 아이콘 클릭.)

Candi, Cesare 

 Candi, Cesare - (b Minerbio, near Bologna, 5 March 1869; d Genoa, 29 Sept 1947). Italian maker of violins, mandolins, guitars and other string instruments. In 1884, after his father's death, he went to work with his brother Oreste Candi (1865–1938) at the workshop of Raffaele Fiorini in Bologna. Around 1888 he again joined his brother, who now worked for the Fratelli Barberis, a mandolin and guitar making firm, in Genoa. Cesare set up on his own around 1892 and later began to make violins, probably having learned from Eugenio Praga (1847–1901) and Enrico Rocca (1847–1915), who were also working in Genoa.Candi's style, which underwent slight but significant changes in the course of his long career, is easily recognizable. His work is clean, if at times a little ‘cold’. He used a very personal building technique which he later passed on to his many students. An unusual aspect of his violin making technique was his use of linings cut from one piece of wood (like a guitar) that passed over the blocks. The channelling is always very deep and marked (at times even exaggerated). The varnish is generally yellow gold or red-orange in colour, and of variable consistency. He used two different labels during his career, and a brand, c. candi genova, which is usually inside the instrument. He made many elaborately inlaid instruments (violins, guitars, violas d'amore, etc.) with great technical skill and taste; these have been rather more appreciated by collectors than players. He received prizes at the exhibitions in Milan (1906), Bologna (1907) and Cremona (1937). In occasion of Stradivari's celebrations in 1937 he restored the 'Il Cannone' of Paganini.Candi left a permanent imprint on both professional and amateur 20th-century Genoese violin making. Cesare Candi's students include Paolo de Barbieri, Giuseppe, B. Lecchi and his grandson Corrado Gritti (Candi).Paolo de Barbieri entered Candi’s workshop when he was about 30, having previously been a sailor and soldier. He learnt external mould construction from Candi, as well as the use of continuous linings, which he employed throughout his life. He made more than 360 violins, as well as violas, cellos and guitars. In his early period he used his master’s Strad model, followed later by a personal Strad model with narrow f-holes and round archings; but his main model was the 'Cannon’ Guarneri ‘del Gesù’, which since Praga had been a steady reference for all Genoese makers.De Barbieri’s place in Candi’s workshop was taken in 1924 by a talented young woodworker called Giuseppe Bernardo Lecchi (1895–1967), originally from a southern Piedmontese village. Lecchi proved the ideal partner for Candi and made a considerable contribution to his last series of decorated instruments, taking charge of the delicate inlays. When in 1937 he won first prize for a quartet at the Stradivari bicentennial exhibition in Cremona, Lecchi was at his peak. His was a more ‘classical’ taste than that of all the other Genoese makers, and his way of making the Stradivari model was elegant and well balanced. Most of his violins don’t bear the sharp edges and consistent archings of modern Genoese instruments. Lecchi used Candi’s continuous lining technique only in his early period; soon after he began making the interiors in the traditional way, with the central linings mortised or simply set into the centre-blocks.

-악기, 활 등을 구매하는 방법

: 에프홀로 방문 하시면 됩니다.

:서울시 성동구 옥수동 200-2 한림빌딩 지하 에프홀 (지하철 3호선 옥수역 3번, 4번 출에서 옥정초등학교 정문), 070-7774-9354

:자가용 이용 시 옥수역의 주차장 사용 가능.

:전화 (070-7774-9354) 및 카톡 (fhole) 예약으로만 방문을 받습니다. 한시간 동안 홀 전체 비워 드립니다.

-악기, 활, 케이스등을 위탁 판매하는 방법...

:서울시 성동구 옥수동 200-2 한림빌딩 지하 에프홀 (지하철 3호선 옥수역 3번, 4번 출에서 옥정초등학교 정문)

:예약제입니다. 전화 (070-7774-9354) 및 카톡 (fhole) 예약 부탁드립니다. 자가용 이용 시 옥수역의 주차장 사용 가능.

:악기의 상태 점검 후 인수증을 발급 받습니다. 감정에는 최소 2 ~ 4주의 기간이 필요합니다.

-모니터의 종류, 해상도에 따라 색상이 다를 수 있습니다. 본 이미지는 LCD모니터를 기준으로 만들어 졌습니다.

-본 이미지들은 nikon d800, AF-S MICRO NIKKOR 105mm 1:2.8 G ED, AF-S Micro NIKKOR 60mm1:2.8 G ED로 촬영 하였습니다.

-이미지의 보정은 nikon NX2로 curve, straighten, unsharp mask 를 수정하였습니다