에프홀에서 위탁 판매 중인 바이올린입니다. 에프홀에 방문하셔서 시연 및 구매 가능합니다.

 

1. 품명: 바이올린(4/4)

2. 제작자: Cajetanus Sgarabotto (가에따노 스가라보또)

3. 제작국: 이태리(Vicenza)

4. 제작년도: 1925년

5. 라벨: Cajetanus Sgarabotto Vicentinus

            fecit Vicenza anno 1925

 

6. 판매 가격: 전화문의 (070-7774-9354), 카톡 ID(fhole) 국제 시세 및 환율 변동에 의해 고정 가격의 명시가 어렵습니다.

7. 상태: 필요한 메이저급 수리 및 수리 흔적은 없습니다. 그외 필요한 수리는 없습니다.

8. 설명: 케이스 포함입니다. 에릭 블롯의 서티가 있습니다.

 

 

아래 링크를 클릭하시면 더 큰 이미지(1500 pixel)를 보실 수 있습니다.

(자동 사이즈 조절로 되어 있다면 마우스를 이미지위에 올린 후 클릭 혹은 하단의 아이콘 클릭.)

 

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Gaetano Sgarabotto

Gaetano Sgarabotto 1878 - 1959 was born in Vicenza, Italy. He devoted his entire career toviolin making. Gaetano was a very prolific violin maker making more than 700 instruments including violas & cellos.
His son Pietro Sgarabotto 1903–1990 born in Milan, retired 1971, but still produced masterworks as late as 1979; both worked for their whole life in Italy as master violinmakers.[1]
Gaetano S. worked initially in the city of Vicenza for many years before moving to Milan in 1901 to work for Leandro Bisiach. He moved to Parma in 1926, where he stayed almost without interruptions until his death in 1959.
His son, Pietro, continued in his father’s profession and also became a master violinmaker in his own right. Today one speaks within initiated circles with the utmost admiration of the brief, but prestigious dynasty of violinmakers Sgarabotti. This refers to the historical presence of both these masters who, apart from creating their own master instruments, spent much of their time passing on experience to young violin makers.[2]
Indeed the activity of the Sgarabotto makers was very influential in the violin making school of Parma, Cremona and elsewhere. Much could be said about their combined influence on the cultural heritage within the musical world of string instruments, and of the enormous regard and esteem with which all their students and musicians held the masters. The greatest interest by posterity, of course, centers on their combined oeuvre, on the set of master violins from their hand left for us to play and admire.
The works of both the Sgarabotto makers can be readily identified by their meticulous choice of materials, the workmanship always being exquisitely “manual” in every phase of the making of each instrument, and showing extreme precision and loving care to detail.
The violin making of the Sgarabotto makers is always graceful, that of the father Gaetano said to be presenting a lighter touch whilst the graduation used by Pietro is more consistent. The sonority and general musical quality of these master violins of course shall forever be residing in their handling by the musicians and experts who are fortunate enough to play a Sgarabotto violin, viola, violoncello….

Liuteria Parmense - In Parma, the 20th century tradition (of violin making) commenced with Gaetano Sgarabotto, who served his apprenticeship in the workshop of the Bisiachs, and can therefore be traced back to a Milanese origin.
As is known, after the death of the last great Cremonese Masters after the middle of the 18th century, only the Cerutis remained in Cremona to prevent that memorable tradition from dying out completely. It was the Antoniazzis who undertook the task of transferring the scant knowledge saved from oblivion from Cremona to Milan.
However the most important event for the renaissance of violin-making in Lombardy was certainly the meeting between Riccardo Antoniazzi and Leandro Bisiach; the latter, thanks to his talent, his taste and his business ability succeeded in founding, at the end of the 19th century, a workshop which soon gained international fame. Bisiach was an outstanding figure in the commerce of antique violins but above all had the merit of raising a generation of great luthiers, among whom for example Sderci, Borghi, Ornati and Garimberti come to mind.
Gaetano Sgarabotto, another of Leandro Bisiach's pupils was born in 1878 in Vicenza; while still very young he had demonstrated a talent for violin-making. After his experience in Milan, Gaetano moved to Parma in 1926 and two years later was given the task of directing the School of Violin-Making which had been annexed to the Conservatory of Music.
The School concluded its experience after nine years, in 1937, but in the meantime had distinguished itself for the quality of its teaching. The proof of this is that luthiers such as Sesto Rocchi, Raffaele Vaccari and of course Gaetano's son Pietro were among its pupils. Gaeatano was a most prolific and eclectic maker, and created instruments drawing inspiration from many different authors. Among this great variety of styles it is interesting to note his preference for the Amatis' models, as well as the rather frequent use of Guadagnini forms. After the closure of the School Gaetano lived in Parma for long periods, from 1942 to 1948 and again from 1957 until his death in 1959.

His son Pietro, who was also a musician, lived and worked at length in Parma before being called to teach in the school of Cremona. For almost half a century, this experience of the first public School of violin-making seemed to have died out forever. But evidently the memory of this tradition was still alive because in 1975 the School returned to its place in the Conservatory under the direction of Renato Scrollavezza."Liuteria Parmense 

 

-악기, 악세서리 등을 구매하는 방법

1. 에프홀 사무실로 방문 하시면 됩니다.

:서울시 성동구 옥수동 200-2 한림빌딩 지하 에프홀 (지하철 3호선 옥수역 3번, 4번 출에서 옥정초등학교 정문), 070-7774-9354

:자가용 이용 시 옥수역의 주차장 사용 가능(시간당 800원 ^^)

:전화 예약으로만 방문을 받습니다.

 

2.에프홀로 전화 구매(070-7774-9354)도 가능합니다.

:원하시는 악기의 글번호를 알려주세요.

:입금과 동시에 택배 배송, 그 다음날 받아보실 수 있습니다

 

 

-악기, 활, 케이스등을 위탁 판매하는 방법...

1. 에프홀 사무실로 직접 방문.

:서울시 성동구 옥수동 200-2 한림빌딩 지하 에프홀 (지하철 3호선 옥수역 3번, 4번 출에서 옥정초등학교 정문), 070-7774-9354

:자가용 이용 시 옥수역의 주차장 사용 가능(시간당 800원 ^^)

:악기의 상태 점검 후 인수증을 발급 받습니다.

 

2. 택배로 발송.

:배송 전 에프홀로 전화를 주셔서 악기에 대한 설명 부탁드립니다.

:브릿지, 사운드포스트가 넘어지지 않을 정도로만 현을 느슨하게 조절한 후 배송 바랍니다.

:악기나 케이스에 손상이 가지 않도록 주의 포장하여 배송해주세요.

:에프홀에서 받은 후 전화 통화를 하여 악기 상태 및 가격 부가 설명을 이야기합니다.

:첼로, 콘트라베이스의 경우 전화 문의(070-7774-9354) 부탁합니다.

:악기 케이스가 없는 경우 에프홀에서 먼저 튼튼한 케이스를 먼저 발송해드립니다.

 

3. 에프홀에서 댁으로 방문.

:첼로, 콘트라베이스 등 큰 악기들의 경우 서울(일부 경기지역 포함)을 기준으로 직접 방문 수거 합니다.

:바이올린, 비올라 등 고가의 악기들이 경우 서울(일부 경기지역 포함)을 기준으로 직접 방문 수거 합니다